“When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, ‘_Je vous aime, Marie!_’ and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed!

He turned and went downstairs.

“Prince, my dear fellow, do remember what you are about,” said the general, approaching Muishkin, and pulling him by the coat sleeve.
“It’s all the same; you ought to have run after Aglaya though the other was fainting.”
“Once you did me the honour of giving me your confidence. Perhaps you have quite forgotten me now! How is it that I am writing to you? I do not know; but I am conscious of an irresistible desire to remind you of my existence, especially you. How many times I have needed all three of you; but only you have dwelt always in my mind’s eye. I need you--I need you very much. I will not write about myself. I have nothing to tell you. But I long for you to be happy. _Are_ you happy? That is all I wished to say to you--Your brother,
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Allow me, gentlemen, allow me,” urged the prince.

VII.

“The repugnance to what must ensue almost immediately, and the uncertainty, were dreadful, he said; but worst of all was the idea, ‘What should I do if I were not to die now? What if I were to return to life again? What an eternity of days, and all mine! How I should grudge and count up every minute of it, so as to waste not a single instant!’ He said that this thought weighed so upon him and became such a terrible burden upon his brain that he could not bear it, and wished they would shoot him quickly and have done with it.”

“Well, I went homewards, and near the hotel I came across a poor woman, carrying a child--a baby of some six weeks old. The mother was quite a girl herself. The baby was smiling up at her, for the first time in its life, just at that moment; and while I watched the woman she suddenly crossed herself, oh, so devoutly! ‘What is it, my good woman?’ I asked her. (I was never but asking questions then!) ‘Exactly as is a mother’s joy when her baby smiles for the first time into her eyes, so is God’s joy when one of His children turns and prays to Him for the first time, with all his heart!’ This is what that poor woman said to me, almost word for word; and such a deep, refined, truly religious thought it was--a thought in which the whole essence of Christianity was expressed in one flash--that is, the recognition of God as our Father, and of God’s joy in men as His own children, which is the chief idea of Christ. She was a simple country-woman--a mother, it’s true--and perhaps, who knows, she may have been the wife of the drunken soldier!

“Had you any emeralds?” asked the prince.

“Come, come! the less _you_ say about it the better--to judge from all I have heard about you!” replied Mrs. Epanchin.

“I love these arguments, prince,” said Keller, also more than half intoxicated, moving restlessly in his chair. “Scientific and political.” Then, turning suddenly towards Evgenie Pavlovitch, who was seated near him: “Do you know, I simply adore reading the accounts of the debates in the English parliament. Not that the discussions themselves interest me; I am not a politician, you know; but it delights me to see how they address each other ‘the noble lord who agrees with me,’ ‘my honourable opponent who astonished Europe with his proposal,’ ‘the noble viscount sitting opposite’--all these expressions, all this parliamentarism of a free people, has an enormous attraction for me. It fascinates me, prince. I have always been an artist in the depths of my soul, I assure you, Evgenie Pavlovitch.”
“Rogojin only leaned his elbow on the table and silently stared at me. So passed two or three minutes, and I recollect that his silence hurt and offended me very much. Why did he not speak?
“I? I? Do you mean me? Often, my friend, often! I only pretended I had not in order to avoid a painful subject. You saw today, you were a witness, that I did all that a kind, an indulgent father could do. Now a father of altogether another type shall step into the scene. You shall see; the old soldier shall lay bare this intrigue, or a shameless woman will force her way into a respectable and noble family.”

“I see the ‘poor knight’ has come on the scene again,” said Evgenie Pavlovitch, stepping to Aglaya’s side.

Mrs. Epanchin was just wondering whether she would not forbid the performance after all, when, at the very moment that Aglaya commenced her declamation, two new guests, both talking loudly, entered from the street. The new arrivals were General Epanchin and a young man.

The prince commended his aspirations with warmth.

“At all events, I must request you to step into the salon,” said Gania, his rage rising quite out of proportion to his words, “and then I shall inquire--”
“Well, you have no right, you have no right, no right at all!... Your friends indeed!”... gabbled Burdovsky, defiantly examining the faces round him, and becoming more and more excited. “You have no right!...” As he ended thus abruptly, he leant forward, staring at the prince with his short-sighted, bloodshot eyes. The latter was so astonished, that he did not reply, but looked steadily at him in return.
In the first place there were present Totski, and General Epanchin. They were both highly amiable, but both appeared to be labouring under a half-hidden feeling of anxiety as to the result of Nastasia’s deliberations with regard to Gania, which result was to be made public this evening.

“Oh, that’s not in _my_ province! I believe she receives at any time; it depends upon the visitors. The dressmaker goes in at eleven. Gavrila Ardalionovitch is allowed much earlier than other people, too; he is even admitted to early lunch now and then.”

And so the conclusion of the matter was that it would be far better to take it quietly, and wait coolly to see what would turn up. But, alas! peace did not reign for more than ten minutes. The first blow dealt to its power was in certain news communicated to Lizabetha Prokofievna as to events which had happened during her trip to see the princess. (This trip had taken place the day after that on which the prince had turned up at the Epanchins at nearly one o’clock at night, thinking it was nine.)

“Full of love for that sweet vision, Brave and pure he took the field; With his blood he stained the letters N. P. B. upon his shield.
“Impossible!” cried the prince.
“Well, you’d better stay here, all of you, for a little, and I’ll go down to him alone to begin with. I’ll just go in and then you can follow me almost at once. That’s the best way.”
“Shall I call the Ptitsins, and Gavrila Ardalionovitch? Shall I let the general in?” he asked.
“My own though, prince, my own, mind,” he said, “and there’ll be some supper later on; my daughter is getting it ready now. Come and sit down, prince, we are all waiting for you, we want you with us. Fancy what we have been discussing! You know the question, ‘to be or not to be,’--out of Hamlet! A contemporary theme! Quite up-to-date! Mr. Hippolyte has been eloquent to a degree. He won’t go to bed, but he has only drunk a little champagne, and that can’t do him any harm. Come along, prince, and settle the question. Everyone is waiting for you, sighing for the light of your luminous intelligence...”
A maid opened the door for the prince (Nastasia’s servants were all females) and, to his surprise, received his request to announce him to her mistress without any astonishment. Neither his dirty boots, nor his wide-brimmed hat, nor his sleeveless cloak, nor his evident confusion of manner, produced the least impression upon her. She helped him off with his cloak, and begged him to wait a moment in the ante-room while she announced him.
“Restrain your tongue!” she said. “I did not come here to fight you with your own weapons.

“Speak, Ivan Fedorovitch! What are we to do?” cried Lizabetha Prokofievna, irritably. “Please break your majestic silence! I tell you, if you cannot come to some decision, I will stay here all night myself. You have tyrannized over me enough, you autocrat!”

“I am kind myself, and _always_ kind too, if you please!” she retorted, unexpectedly; “and that is my chief fault, for one ought not to be always kind. I am often angry with these girls and their father; but the worst of it is, I am always kindest when I am cross. I was very angry just before you came, and Aglaya there read me a lesson--thanks, Aglaya, dear--come and kiss me--there--that’s enough” she added, as Aglaya came forward and kissed her lips and then her hand. “Now then, go on, prince. Perhaps you can think of something more exciting than about the donkey, eh?”
“I?” “You suspect him?”
“Oh, nothing more, nothing more! I was saying to myself but now... ‘I am quite unworthy of friendly relations with him,’ say I; ‘but perhaps as landlord of this house I may, at some future date, in his good time, receive information as to certain imminent and much to be desired changes--’”
Colia did not understand the position. He tried severity with his father, as they stood in the street after the latter had cursed the household, hoping to bring him round that way.
The general liked serious subjects of conversation; but both he and Lizabetha Prokofievna felt that they were having a little too much of a good thing tonight, and as the evening advanced, they both grew more or less melancholy; but towards night, the prince fell to telling funny stories, and was always the first to burst out laughing himself, which he invariably did so joyously and simply that the rest laughed just as much at him as at his stories.
General Ivan Fedorovitch Epanchin was standing in the middle of the room, and gazed with great curiosity at the prince as he entered. He even advanced a couple of steps to meet him.
“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”
Next day, she took it out, and put it into a large book, as she usually did with papers which she wanted to be able to find easily. She laughed when, about a week later, she happened to notice the name of the book, and saw that it was Don Quixote, but it would be difficult to say exactly why.
“‘Oh!’ I said, ‘there’s nothing to see; it’s quite a clear case--you’ve lost your post and have come up to make explanations and get another, if you can!’
She arranged her daughter’s hair, which was not in the least disordered, and gave her a kiss. This was all that she had called her for.
“Oh, a long way off, near the Great Theatre, just in the square there--It won’t be a large party.”
“I must see it!” cried Mrs. Epanchin. “Where is the portrait? If she gave it to him, he must have it; and he is still in the study. He never leaves before four o’clock on Wednesdays. Send for Gavrila Ardalionovitch at once. No, I don’t long to see _him_ so much. Look here, dear prince, _be_ so kind, will you? Just step to the study and fetch this portrait! Say we want to look at it. Please do this for me, will you?”
“Why, don’t you, aren’t you--” began the general, in alarm.
“I should have liked to have taken you to see Hippolyte,” said Colia. “He is the eldest son of the lady you met just now, and was in the next room. He is ill, and has been in bed all day. But he is rather strange, and extremely sensitive, and I thought he might be upset considering the circumstances in which you came... Somehow it touches me less, as it concerns my father, while it is _his_ mother. That, of course, makes a great difference. What is a terrible disgrace to a woman, does not disgrace a man, at least not in the same way. Perhaps public opinion is wrong in condemning one sex, and excusing the other. Hippolyte is an extremely clever boy, but so prejudiced. He is really a slave to his opinions.”
“My dear fellow!” cried Prince S., with some annoyance, “don’t you see that he is chaffing you? He is simply laughing at you, and wants to make game of you.”
Varia had quietly entered the room, and was holding out the portrait of Nastasia Philipovna to her mother.

“Oh, prince, how strange you have become! I assure you, I hardly know you for your old self. How can you suppose that I ever suggested you could have had a finger in such a business? But you are not quite yourself today, I can see.” He embraced the prince, and kissed him.