Aglaya merely glanced at the portrait--frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.
The prince rose to go, but the general once more laid his hand in a friendly manner on his shoulder, and dragged him down on to the sofa.
Suddenly he embraced Muishkin.
“He’s a little screw,” cried the general; “he drills holes in my heart and soul. He wishes me to be a pervert to atheism. Know, you young greenhorn, that I was covered with honours before ever you were born; and you are nothing better than a wretched little worm, torn in two with coughing, and dying slowly of your own malice and unbelief. What did Gavrila bring you over here for? They’re all against me, even to my own son--all against me.”
“Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me.”
“But--but, why is this? What does it mean?”

“Won’t you be ashamed, afterwards, to reflect that your wife very nearly ran away with Rogojin?”

“Twenty-seventh!” said Gania.

“As soon as we reach home give it to me to read.”

The prince was watching his guest, if not with much surprise, at all events with great attention and curiosity.
“So would I,” said another, from behind, “with pleasure. Devil take the thing!” he added, in a tempest of despair, “it will all be burnt up in a minute--It’s burning, it’s burning!”
He had left things quiet and peaceful; the invalid was fast asleep, and the doctor, who had been called in, had stated that there was no special danger. Lebedeff, Colia, and Burdovsky were lying down in the sick-room, ready to take it in turns to watch. There was nothing to fear, therefore, at home.
“No, Ferdishenko would not; he is a candid fellow, Nastasia Philipovna,” said that worthy. “But the prince would. You sit here making complaints, but just look at the prince. I’ve been observing him for a long while.” “And--and you won’t _laugh_ at him? That’s the chief thing.”
“Why do you hate me so?” asked the prince, sadly. “You know yourself that all you suspected is quite unfounded. I felt you were still angry with me, though. Do you know why? Because you tried to kill me--that’s why you can’t shake off your wrath against me. I tell you that I only remember the Parfen Rogojin with whom I exchanged crosses, and vowed brotherhood. I wrote you this in yesterday’s letter, in order that you might forget all that madness on your part, and that you might not feel called to talk about it when we met. Why do you avoid me? Why do you hold your hand back from me? I tell you again, I consider all that has passed a delirium, an insane dream. I can understand all you did, and all you felt that day, as if it were myself. What you were then imagining was not the case, and could never be the case. Why, then, should there be anger between us?”
“No--nothing more than that. Why, they couldn’t understand him themselves; and very likely didn’t tell me all.”
“How much?”

All now crowded round the fire and thronged to see what was going on; everyone lamented and gave vent to exclamations of horror and woe. Some jumped up on chairs in order to get a better view. Daria Alexeyevna ran into the next room and whispered excitedly to Katia and Pasha. The beautiful German disappeared altogether.

“They do say one can dance with those!”
“A slap in the face? From whom? And so early in the morning?”

“Oh no, oh no!” said the prince; “I couldn’t, you know--my illness--I hardly ever saw a soul.”

“Of course I know they say that one must be obedient, and of course, too, the prince is one of those who say so: that one must be obedient without questions, out of pure goodness of heart, and that for my worthy conduct in this matter I shall meet with reward in another world. We degrade God when we attribute our own ideas to Him, out of annoyance that we cannot fathom His ways.

“Oh, I only judge by what I see. Varvara Ardalionovna said just now--”
“Where is Nastasia Philipovna?” asked the prince, breathlessly.
Poor Colia cried himself, and kissed the old man’s hands “Are you acquainted with her?”
“But why, _why?_ Devil take it, what did you do in there? Why did they fancy you? Look here, can’t you remember exactly what you said to them, from the very beginning? Can’t you remember?”
Lizabetha Prokofievna saw that she returned in such a state of agitation that it was doubtful whether she had even heard their calls. But only a couple of minutes later, when they had reached the park, Aglaya suddenly remarked, in her usual calm, indifferent voice: “I think you are unfair towards me,” he said. “There is nothing wrong in the thoughts I ascribe to Hippolyte; they are only natural. But of course I don’t know for certain what he thought. Perhaps he thought nothing, but simply longed to see human faces once more, and to hear human praise and feel human affection. Who knows? Only it all came out wrong, somehow. Some people have luck, and everything comes out right with them; others have none, and never a thing turns out fortunately.”

The latter had behaved modestly, but with dignity, on this occasion of his first meeting with the Epanchins since the rupture. Twice Mrs. Epanchin had deliberately examined him from head to foot; but he had stood fire without flinching. He was certainly much changed, as anyone could see who had not met him for some time; and this fact seemed to afford Aglaya a good deal of satisfaction.

Burdovsky alone sat silent and motionless.
“You can see quite enough,” muttered Rogojin.
“Perhaps he really doesn’t understand me! They do say that you are a--you know what! She loves another--there, you can understand that much! Just as I love her, exactly so she loves another man. And that other man is--do you know who? It’s you. There--you didn’t know that, eh?”
“No, I am not lying.”
“Yes--I do ask for it!” said the prince, more dead than alive now.

“Is it a note?”

“No, no, no, can’t _bear_ him, I can’t _bear_ your young man!” cried Aglaya, raising her head. “And if you dare say that _once_ more, papa--I’m serious, you know, I’m,--do you hear me--I’m serious!”

“Excuse me,” said Lebedeff, “but did you observe the young gentleman’s style? ‘I’ll go and blow my brains out in the park,’ says he, ‘so as not to disturb anyone.’ He thinks he won’t disturb anybody if he goes three yards away, into the park, and blows his brains out there.”

“Look here, Parfen; if you love her so much, surely you must be anxious to earn her respect? And if you do so wish, surely you may hope to? I said just now that I considered it extraordinary that she could still be ready to marry you. Well, though I cannot yet understand it, I feel sure she must have some good reason, or she wouldn’t do it. She is sure of your love; but besides that, she must attribute _something_ else to you--some good qualities, otherwise the thing would not be. What you have just said confirms my words. You say yourself that she found it possible to speak to you quite differently from her usual manner. You are suspicious, you know, and jealous, therefore when anything annoying happens to you, you exaggerate its significance. Of course, of course, she does not think so ill of you as you say. Why, if she did, she would simply be walking to death by drowning or by the knife, with her eyes wide open, when she married you. It is impossible! As if anybody would go to their death deliberately!” “How did you know who I was? Where had you seen me before? And why were you so struck dumb at the sight of me? What was there so overwhelming about me?”
“Hippolyte Terentieff,” cried the last-named, in a shrill voice.
“I will only remark that from these premises one could conclude that might is right--I mean the right of the clenched fist, and of personal inclination. Indeed, the world has often come to that conclusion. Prudhon upheld that might is right. In the American War some of the most advanced Liberals took sides with the planters on the score that the blacks were an inferior race to the whites, and that might was the right of the white race.”

“I am rather young-looking, I know; but I am actually older than I appear to be. I was ten or eleven in the year 1812. I don’t know my age exactly, but it has always been a weakness of mine to make it out less than it really is.”

“So be it, then. Gavrila Ardalionovitch,” she spoke solemnly and forcibly, “you hear the prince’s decision? Take it as my decision; and let that be the end of the matter for good and all.”

“Then my mother opened the door and called my dog, Norma. Norma was a great Newfoundland, and died five years ago.

Muttering these disconnected words, Rogojin began to make up the beds. It was clear that he had devised these beds long before; last night he slept on the sofa. But there was no room for two on the sofa, and he seemed anxious that he and the prince should be close to one another; therefore, he now dragged cushions of all sizes and shapes from the sofas, and made a sort of bed of them close by the curtain. He then approached the prince, and gently helped him to rise, and led him towards the bed. But the prince could now walk by himself, so that his fear must have passed; for all that, however, he continued to shudder.
“H’m! I like to see that you know your manners; and you are by no means such a person as the general thought fit to describe you. Come along; you sit here, opposite to me,” she continued, “I wish to be able to see your face. Alexandra, Adelaida, look after the prince! He doesn’t seem so very ill, does he? I don’t think he requires a napkin under his chin, after all; are you accustomed to having one on, prince?”
“Well, not exactly. I will tell you all about him some day.... What do you think of Nastasia Philipovna? She is beautiful, isn’t she? I had never seen her before, though I had a great wish to do so. She fascinated me. I could forgive Gania if he were to marry her for love, but for money! Oh dear! that is horrible!”
Lebedeff followed suit at once, and it was clear from his radiant face that he considered his prospects of satisfaction immensely improved.
“Nonsense! love him and torment him so! Why, by the very fact that he put the purse prominently before you, first under the chair and then in your lining, he shows that he does not wish to deceive you, but is anxious to beg your forgiveness in this artless way. Do you hear? He is asking your pardon. He confides in the delicacy of your feelings, and in your friendship for him. And you can allow yourself to humiliate so thoroughly honest a man!”

“Do you remember Ferdishenko?” he asked.

“I believe so; but I’m not sure.”
“There is.”
“Perhaps then I am anxious to take advantage of my last chance of doing something for myself. A protest is sometimes no small thing.”
Little by little the family gathered together upstairs in Lizabetha Prokofievna’s apartments, and Prince Muishkin found himself alone on the verandah when he arrived. He settled himself in a corner and sat waiting, though he knew not what he expected. It never struck him that he had better go away, with all this disturbance in the house. He seemed to have forgotten all the world, and to be ready to sit on where he was for years on end. From upstairs he caught sounds of excited conversation every now and then.
“Yes--I nearly was,” whispered the prince, hanging his head.
“Is father in?” he asked. Colia whispered something in his ear and went out.
“Pooh! he was a fool, and his actions were the actions of a fool,” said Mrs. Epanchin; “and as for you, young woman, you ought to know better. At all events, you are not to talk like that again. What poem is it? Recite it! I want to hear this poem! I have hated poetry all my life. Prince, you must excuse this nonsense. We neither of us like this sort of thing! Be patient!”
“Tomorrow morning, I shall be at the green bench in the park at seven, and shall wait there for you. I have made up my mind to speak to you about a most important matter which closely concerns yourself.

This message entirely calmed the prince’s mind.

The prince begged him to step in and sit down. About seven in the evening, soon after dinner, he arrived. At the first glance it struck the prince that he, at any rate, must know all the details of last night’s affair. Indeed, it would have been impossible for him to remain in ignorance considering the intimate relationship between him, Varvara Ardalionovna, and Ptitsin. But although he and the prince were intimate, in a sense, and although the latter had placed the Burdovsky affair in his hands--and this was not the only mark of confidence he had received--it seemed curious how many matters there were that were tacitly avoided in their conversations. Muishkin thought that Gania at times appeared to desire more cordiality and frankness. It was apparent now, when he entered, that he was convinced that the moment for breaking the ice between them had come at last.
Prince S. ran up to her and persuaded her, at last, to come home with them.
“She’s here,” replied Rogojin, slowly, after a slight pause.
“It is difficult to judge when such beauty is concerned. I have not prepared my judgment. Beauty is a riddle.”

“I suppose you’ll say there is nothing national about our literature either?” said Alexandra.

Gania suddenly became so ill at ease that his face grew paler than ever.

In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Nastasia Philipovna, will you excuse the general for a moment? Someone is inquiring for him,” said Nina Alexandrovna in a loud voice, interrupting the conversation.
“When I tried to rid her soul of this gloomy fallacy, she suffered so terribly that my heart will never be quite at peace so long as I can remember that dreadful time!--Do you know why she left me? Simply to prove to me what is not true--that she is base. But the worst of it is, she did not realize herself that that was all she wanted to prove by her departure! She went away in response to some inner prompting to do something disgraceful, in order that she might say to herself--‘There--you’ve done a new act of shame--you degraded creature!’
It is true that they used to sit in the little summer-house together for an hour or two at a time, very often, but it was observed that on these occasions the prince would read the paper, or some book, aloud to Aglaya.
“How so? Did he bring the portrait for my husband?”
“It’s a good thing that there is peace in the house, at all events,” he continued. “They never utter a hint about the past, not only in Aglaya’s presence, but even among themselves. The old people are talking of a trip abroad in the autumn, immediately after Adelaida’s wedding; Aglaya received the news in silence.”

“Yours. You forbade me yourself to mention it before you, most excellent prince,” murmured Lebedeff. Then, satisfied that he had worked up Muishkin’s curiosity to the highest pitch, he added abruptly: “She is afraid of Aglaya Ivanovna.”

“Oh, I can’t do that, you know! I shall say something foolish out of pure ‘funk,’ and break something for the same excellent reason; I know I shall. Perhaps I shall slip and fall on the slippery floor; I’ve done that before now, you know. I shall dream of it all night now. Why did you say anything about it?”
“That is your father, is it not?” asked the prince.
“No, Tver,” insisted the general; “he removed just before his death. You were very small and cannot remember; and Pavlicheff, though an excellent fellow, may have made a mistake.”
Hardly had the prince uttered the last word when Gania gave such a fearful shudder that the prince almost cried out.
“I thought he might be useful. You know he is in love with Aglaya himself, now, and has written to her; he has even written to Lizabetha Prokofievna!”